___This collage isn't just the result of the same old artistic process; it has an origin story. It is a result of one of my favorite activities, staying up late in Hanes Art Center, and a great coincidence.
___One evening this fall, I arrived at the art building a little past midnight to work on my photography project. "Greg why would you start an art project after midnight?" you might ask. I will answer this with a rhetorical question. "Don't you love it when every night before a project is due, from 6:00pm to 12:00am , there is a girl in the darkroom dancing around to Disney princess sing-alongs, as she splashes developer all over the floor?" So, I arrived late enough to have the dark room all to myself. I took the stairs up to the third floor, but before I got to work, I had to go to use the men's room.
___I walked down the hall to find the familiar sight of a custodian's cart blocking the door to the bathroom. I have come to the conclusion that the Hanes Art Center is under an evil spell; I call it the curse of the cleaning lady. It is similar to Murphey's law, but much more annoying. If a student is working on an art project after midnight, whatever floor he is on when he needs to use the restroom, will always be the floor on which the janitor is cleaning the bathrooms.
___Hence, I took the stairs back down to first floor, cursing at the curse of the cleaning lady, until I saw something beautiful. Nestled neatly in the middle of a mass of garbage, there in the trash can, were some of the coolest photographs I had ever seen. They had amazing colors and reminded me of my attempts at
abstract photography. I didn't know what I could do with them, but I felt that they should not be in the trash. I put them in my locker until I could figure out who made them. I finished my photography project, which I will show you later, and I left the HAC determined to find the artist of the mysterious treasures I had found in the trash.
___A few week's later, I found out that they were most likely the work of a grad student,
Lydia McCarthy. When I saw her after a visiting artist lecture, I had to ask her how she did it and if I could use her work in my collage. I don't know if she was flattered or creeped out when I approached her with the stack of her work that I had been keeping in my locker, but she was nice enough to let me use her photographs in my piece. Her pictures make up the background of my piece, reminiscent of the northern lights. I highly recommend you check out her website and read about the ideas behind her artwork.
http://www.lydiamccarthy.com/___My collage is possibly the first thing I have made that has a sense of narrative. The story wrote itself as I sorted through magazines looking for pictures. It is hard to see in the picture, but on the left side, there is an army of cranes and construction workers building a high tech city that is encroaching on the wilderness. The bloody child is escaping the city to venture into an unknown world. It is unsure whether the man in the tree, searching the landscape, will be his friend or foe.
© 2010 Gregory Halloran